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The 'Making of RItT' document

This website is a document.

 

It documents the process of writing the album "time to live on the edge of life" by Rockets In the Trees from 2019 to 2022.  You will learn about Neilson's struggles to write, produce and perform all the tracks, as he works alone through the COVID19 lockdown. 

 

"You know when you watch a documentary on TV by successful musicians and they seriously tell you how an album came to be, and you watch it interested because the people talking are established stars, and by association their music must be important, and how it came to made must also be significant to your own life... well this is like that, except we are not established stars.

I guess then you could conclude that because we are not famous, we are not important, significant or interesting.  I would argue that everything is interesting when it uncovers the craft behind the smoke and mirrors of songwriting.

I have attempted to keep everything in a chronological order on the site, because to me the best part of this process is seeing the development. Allowing that to be shown here will also be helpful to Kevan and I as we monitor our progress, and will also appeal to anyone who wants to know how and why musicians continue to write and produce music with no support from the music industry itself and without recognition or success.

The initial answer is due to the never-ending desire for self-expression, and also as Tony Wilson eloquently stated, 'We have no f**king choice!'"

The epilogue 2023:
 

"time to live on the edge of life" was released on March 20 2022.  It went to the top of every chart in the world and won the Mercury and Turner Prize, Brit Awards, the Palme D'or and Grammys galore.  Overwhelmed by success, Neilson and Faulkner never made music together again.  They are due to burn their millions of pounds on a Scottish island very soon... at 3am.

They will never be back.

I'd rather be your kite

Alan Neilson

I have a pretty eclectic taste in music and the list of songs that have influenced my song-writing over the years is substantial: from Tricky to Aimee Mann, and Gavin Bryars to Sam Cooke.  I have already produced a number of albums that jump from genre to genre, from orchestral avant garde to spoken word jazz to folk to drum and bass to West Coast laid back folk rock (in fact my song ‘Harry, Liz & Me’ was once described as: “This West Coast concoction ripples with piano, 12-string and tales of lost potential. The vocal bristles with all the best bits of Bob Seger or Don Henley, while the elegantly sun-soaked vibe, pulls you deeper into the shimmering ocean.")   As such, if asked to name just five songs that inspired me, it would be an almost impossible task.
However, if asked to list five songs that informed my writing and ideas for production on this project for Rockets In the Trees, I would include the following.

‘Broken Arrow’ – Buffalo Springfield
This is not just a great melodic song, it has time signature changes and wholly unsettling mid-song breaks, with sound effects and instrumental pieces unconnected to the main direction of the song (possibly inspired by Sgt Pepper released a few months before this was recorded).  It is a song without a chorus, relying on the beautiful melody hooks instead.  The lyrics contain powerful imagery that is not easily explained but memorable, so even if you don’t understand what is going on, the scenes set in the song remain with you.  The jarring effect of the breaks between verses is almost more daring than what The Beatles had produced, but it is the melody that holds the listener throughout, and Young seems almost trying to unsettle the audience, breaking the song up as he does.  But what this does is make you return to it again and again because it is so fascinating.

‘Kitty’s Back’ – Bruce Springsteen
From Bruce’s debut album, this song again has different tempos and time signatures; it is a rollercoaster of a song and always leaves you guessing what is coming up next.

‘Living It Up’ – Rickie Lee Jones
Rickie’s debut album and follow up ‘Pirates’, where this song is taken, contain beautifully written and produced songs.  There is no traditional format to the songs’ structures and the lyrics on this track are so colourful, you can picture the crazy characters vividly.

‘Indian’ – Eg & Alice
A thoroughly English song about racism, in which the person in the song, who is outcast, is very polite about the whole thing.  It is such an understated song with production to match.  Eg White’s beautiful arrangement and Alice Temple’s sublime vocal, is as near to pop perfection as you can get… without actually being pop.  The spectacular album ‘24 Years of Hunger’ failed to sell at all, but remains a masterpiece nonetheless.

‘When I'm Thinking About You’ – The Sundays
Another thoroughly English song, this time about love, from the band’s final album.  A simple production with just guitars and softly recorded band, with a piano solo, which has a very minimal approach, just repeating unhurried patterns of 5 notes.  So much space is left in the arrangement for Harriett’s beautiful voice.

rockets in the trees

Kevan Faulkner

Choosing favourite songs...?  It's a tough one, but I can probably nail five at the moment.

‘I'm Mandy Fly Me’ - 10cc
I think I was about 12 when I heard this.  What struck me first was the lyrics, but later on it was the phases in the song and quality of music.

‘Complete Control’ - The Clash
Although I was blown away by seeing The Sex Pistols perform Pretty Vacant on Top Of The Pops and also the LP Cover of The Damned, this track by The Clash touched another emotion.  It was Joe's vocal performance and Mick's guitar playing.  It still does it to this day.

‘Shout’ - Tears For Fears
 Very simple catch line, but great vocal, excellent drums and guitar solo.

‘Check It Out’ - John Mellencamp
I could choose a number of tracks from The Lonesome Jubilee album.  But this just edges it as it was the track that got me into the album and I like the way it lists everything!

‘Big Yellow Taxi’ - Joni Mitchell
I love her voice.  I love the lyric and its simplicity, yet its complexity.   In fact I adore the majority of her music.

There are hundreds more.  But I will go with these at the moment as inspiring me as a young person.

i feel
"Neilson's melodies and Faulkner's lyrics,
even in demo form, are sounding like they
are developing a new genre"

                                                             - FuckinSeriousMusicProductionMagazine

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